The Pianist Essay

The pianist is a cinematic masterpiece by the strike coach Roman Polanski. One of the key bringing close togethers that appear end-to-end much of the film is that of consent organism instru psychical in our excerpt. This musical theme is portrayed through Wladyslaw Szpilman, a Polish pianist, as he endeavors for pick in Warsaw as everybody that he once knew and everything that he once had is lost. The idea of bank cosmos instrumental in our survival is worth reading about as it allows the audience to realise the splendor of hope in todays society and to understand how Polanski enjoyments music to symbolise hope for Szpilman in the film.Polanski effectively utilises an array of visual and oral text features much(prenominal) as music, communication, and lighting to build further emphasis on this theme. The Pianist is an h unrivaledst depiction of the events that occurred during the Holocaust, through the eyes of Wladyslaw Szpilman, a Jewish design pianist living in W arsaw, Poland. As the movie starts we see him in a radio studio beautifully hightail iting the subdued. But hence the tanks start shooting, the bombs start falling, and the studio is damaged. He can no all-night avoid the rapidly escalating situation. Germany is invading his homeland.His time as a concert pianist and radio performer has come to a sudden end. The beginning half of the movie focuses on the impact of the war on him and his familys lives and the suffering of others, whilst the second half purely revolves around Szpilmans struggle for survival and the hope in which he draws from music. Polanski heavily emphasises this idea, getting across the message that Szpilman would not be alive if were not for the hope in which he holds to even if at times if at times it is by a tiny thread. The most obvious feature utilise to levy the idea of hope beingness instrumental in our survival is that of music.After being forced to desert his family and having to live in isolatio n with his survival being questioned almost every day, it is perhaps only the thoughts of music that keep Szpilman going. This is idea becomes to a greater extent apparent when Szpilman disc overs a easy in one of the flats he is hiding in. He is unable to manoeuvre because he will strain himself away so we instead watch his fingers move across the stress above the pianos keys as whilst the sound plays in his leave and too the attestator. Throughout the film we also see Szpilman pretending to play the piano as he taps his finger across his legs.It is moments such(prenominal) as these that help to maintain Szpilmans willingness to weather by retentiveness silent, but also how piano gives fills him with the hope that is instrumental in his survival. In other scenes such as when a German officer asks Szpilman to play piano for him, and allows him to live because of his immense talent we begin to realise that Szpilmans hope music, does not only help him to survive mentally, but also physically as he can share the gift that he has to others. It is also important to note that Polanski only music by the Polish composer, Chopin is used passim The Pianist.His sad and evocative music brings upon a sad mood, yet one with a hint of hope and with this, the director can more vividly evoke his ideas a way that dialogue or action cannot. Another oral feature used throughout the film to express the directors idea of hope being instrumental to our survival is dialogue. Whilst Szpilmans actions are usually used to express the directors ideas, there are multiple instances where dialogue is used effectively to express them. In one scene around a third of the way into the film, Mr. Lipa, a businessman comes round to the Szpilmans familys house to make an offer on their piano.The majority of the family think the tot up of money he is offering for such a beautiful piano is absurd, but when he says, 2,000 and my advice is to take it. What will you do when youre hungry? Ea t the piano? Szpilman comes to the realisation that whilst music is what he needs to survive mentally, it is in fact food that he needs to survive physically and accept this offer. From this point in the film onwards, Polanski distinguishes physical survival from mental survival for Szpilman and begins to enforce the idea of hope is instrumental to our survival.We learn that Szpilman will go to all efforts to survive, shown with dialogue, taking off his watch Here, sell this. Food is more important than time but it is his hope that he will one day be able to play piano again and be happy that is instrumental to his survival. This is shown later in the film when a German Officer asks him what hes going to do when the war is over and he replies, Play piano again. It is the simple, but effective use of dialogue such as this that mimic realistic situations in comparability to the Hollywood theatrics used in other films that establish an exaggerated, bleak atmosphere.Lighting is some o ther visual feature that is used to good effect to emphasise the idea of hope being instrumental in (Szpilmans) survival. Throughout the second half of the film, where Szpilman is trapped within solitude with the hope in which he holds on to hanging by the thread Polanski uses dark and obsolete colours with a bluish tint that combined create a very eerie and desolate atmosphere. While the dark obsolete lighting clearly portrays Szpilmans pessimism, it is the bluish tint evident that is like the silver lining and shows the viewer the hope that Szpilman is still holding on to.In one particular scene, where Szpilman plays piano for the first time in months to a Nazi Officer, moonlight with the clean-cut blue tint is cast over the piano and his hands as he plays. Polanski creates this effect to make the link for the audience that music is the hope that has been instrumental to his (Szpilmans) survival and is the tiny thread that he has been hanging onto when everybody he knows and ev erything that he once had has been taken from him.In the film The Pianist, Polanski effectively industrious the use of the visual and oral features music, dialogue and lighting to better snuff it his idea of hope being instrumental in our survival. These tercet features come together to allow the audience to truly realise the sizeableness of hope being the sole factor that keeps Szpilman alive, and that his hope is symbolised through music. Polanski so skilfully uses these features to show rather than tell the importance of this idea and through this it is little wonder that the movie is considered a modern classic.